Archive for September 2008
Charles Royster. A Revolutionary People at War: The Continental Army and American Character, 1775-1783. Reprint. University of North Carolina Press, 1996.
In his award winning, sweeping work on the American Revolution, Charles Royster sets out to prove his thesis that “there was an American character prevalent during the War for Independence and that we can profitably analyze it.” His focus is on the emotions, attitudes, and conduct of Americans in wartime but he also set out to prove that Americans exemplified collectively the disposition of revolutionaries. This notion of national character is an important one because it suggests an emergence of a sense of nationhood among the inhabitants of America’s colonies. Royster acknowledges that not all Americans were anti-British but he does conclude that the majority of Americans during the War for Independence were loyal to the revolution’s cause. These arguments are foundational to his discussion of the Continental Army. Royster deals with the rather broad topics of the ideals of revolutionary citizenship, society, and state by limiting his scope to the standards “that Americans defined for themselves in creating, recruiting, and fighting in an army” and it is this focus that makes the book more relevant to the military historian. He finds evidence of a disparity between society’s ideals and its actual conduct, the latter being “always flawed.” To find reasons for the disparity he touches, admitted lightly, on other areas such as religion, government, and commerce, drawing a connection between these and the way in which Americans related to the army.
Royster describes his book as analytical rather than narrative history. This distinction drives the book’s chronological format which supports his position that the study of revolutionary attitudes and the changes that took place over time are best observed “in the order that Americans experienced them.” Royster begins with an examination of the high ideals that Americans caught up in the revolutionary mindset placed upon themselves and others, ideals of virtue and valor. This foundation then allows him to explore the “tension” created when Americans failed to live up to those ideals and how they dealt with the disparity between desired standards and reality. Thus Royster begins with the years prior to the war’s start, describes the “rage militaire” of 1775, and then proceeds through the early war years in a series of chapters with religious titles and analogous themes: 1776: The Army of Israel, Jericho, and The Promised Land. The second half of the book focuses on Valley Forge, Treason, Division, and finally Legacy. It is in this final chapter that Royster brings together his analysis of the whole of the American experience at war.
This work is intended for students of early American history and particularly those who want to better understand the American Revolution. It should also find interest among military historians because of its focus on the experience of soldiers in the American Army of Independence as well as the institutional history of America’s armed forces. Royster’s forays into the realms of sociology, psychology, political, and civic history, should allow the book to find even broader readership. The work’s extensive notes section is worth mention. There is also an essay in the appendix that challenges some other authors who draw conclusions too quickly from statistics about American soldiers who fought in the Revolution, many of whom were both young and poor. The book is particularly noteworthy for its use of readily available primary sources but fresh approach to the information contained therein. His presentation is entirely satisfying albeit occasionally repetitive. One of the clear strengths of the book is its introduction to the reader of a broad number of characters of the period often through their own narrative or those of others around them.
Charles Royster brings impressive credentials to his work which is a shortened version of his doctoral dissertation. He received all of his degrees from the University of California, Berkeley including an A.B. (1966), M.A. (1967), and Ph.D. (1977). At the time of the book’s publication, Dr. Royster was assistant professor of history at the University of Texas. He is now professor of history at the Louisiana State University. Royster has amassed an impressive list of publications several of which received academically recognized awards. His work Stonewall Jackson, and the Americans won the Bancroft Prize, The Lincoln Prize, and the Charles S. Sydnor Award in Southern History. A Revolutionary People at War was recognized with the 1981 Francis Parkman Prize from the Society of American Historians, the 1979 John D. Rockefeller III Award, the 1981 National Historical Society Book Prize, the 1980 Fraunces Tavern Museum Book Award from the Sons of the Revolution in the State of New York, and the 1980 Silver Medal, Nonfiction from the Commonwealth Club of California.
Overall, Royster provides an excellent addition to scholarship of early America.
Edward Hagerman. The American Civil War and the Origins of Modern Warfare: Ideas, Organization, and Field Command. Reprint. Indiana University Press, 1992.
In this important work on tactical and strategic military history, Edward Hagerman posits that the American Civil War marshaled in a new era in land warfare colored by the impacts of the Industrial Revolution. He argues that the complete command and control systems of armies was impacted by factors both occurring across the globe (i.e. technological developments in weaponry and transportation) and unique to America: its culture, geography, and history.
Hagerman is clear in setting two broad aims for the book. The first is to provide a new analysis of the “theory, doctrine, and practice of field fortification in the tactical evolution of trench warfare.” The second is to analyze the development of field transportation and supply and its impact of the movement and maneuvering of Civil War armies
Hagerman organizes his study around several themes. The first addresses the ideas and education that informed the American military including the influence of theorists such as Jomini, Clausewitz, and at West Point, Dennis Hart Mahan. Secondly he looks at the organizational change, or lack thereof, in the Army of the Potomac including an explanation of the educational orientation of its leaders. Thirdly he explores the Army of Northern Virginia and the culture and traditions which informed men of the south who entered the military. Next he dives into the emergence of trench warfare and the strategic and tactical evolution that resulted from it. And importantly, he finishes with the evolution of total war and the strategy of exhaustion.
This work should be of particular interest to military historians and even more so to those interested in the American Civil War and its impact on military logistics, the use of technology, weaponology, military tactical and strategic thought, and the concepts of modern warfare and its history.
There is an extensive notes section valuable to the serious student of military history. This is augmented by a “Works Cited” section including listings of primary sources. The introduction to the book provides an exceptional summary of many of the key factors that impacted the war.
Edward Hagerman brings to this study the credentials of academician. He was Associate Professor of History at York University in Toronto, Canada at the time of the book’s publication. He is also the recipient of the Moncado Prize of the Society of Military History.
As I finish up my final paper, I’ve gone back to the first book read for my class, “Studies in U.S. Military History.”
Jill Lepore. The Name of War: King Philip’s War and the Origins of American Identity. Vintage Books, 1999.
In this unusual book about King Phillip’s War, Lepore sets out to study war and how people write about it. She suggests that writing about war can be almost as difficult as waging it. And writing can be essential to winning a war. Her work is thus in its essence about words and how they are used to both describe and impact the outcome of war. She concludes that “truth in war is relative,” a profoundly insightful statement that gets to the core of why many wars are waged in the first place, the clashing of points of view. And so, she concludes, “war is a contest of injuries and interpretation.” Lepore’s opening chapter, “What’s in a Name?” is nothing less than masterful.
To the victor go the spoils but also the power to explain the war completely to his advantage. For the loser, whether dead or defeated, loses his voice.
Belatedly, I want to mention that I’ve received a pre-publication copy of Noah Andre Trudeau’s Southern Storm: Sherman’s March to the Sea, which I’ll hope to provide a full review of before too long. At first blush, it appears to be an excellent read.
Since this book falls into the category of Civil War Campaigns, I’ve added a shelf in my virtual bookstore to accommodate it which you can find here.
As a student of military history, one of the many things that I find so fascinating about Sherman’s march is that its destructive power encourages its consideration as “total war” a la Clausewitz. Can’t wait to dig in to this one.
For those of you in the Chicago area, Mr. Trudeau’s publisher Harper Collins, indicates that he will be publicizing his book at the following on Thursdays.
05:00 PM – 07:30 PM
PRITZKER MILITARY LIBRARY
2nd FL 610 N Fairbanks Court Chicago, IL 60611
Continuing my series on “Manet and the American Civil War,” (see posts 1 here, 2 here, 3 here, and 4 here. In posts 3 and 4, I introduced the captains and vessels of one of the most famous naval engagements of the American Civil War, the sea battle between the C.S.S. Alabama and the U.S.S. Kearsarge. And now to the battle…
Juliet Wilson-Bareau with David C. Degener, in their fascinating book Manet and the American Civil War, do an excellent job of sifting through sources for a non-partisan view of the events of Sunday, June 19, 1864, a view without the “spin” of media. 
The C.S.S. Alabama anchored in the Cherbourg roads, “a huge sheet of calm water sheltered from Channel currents by a breakwater,” on June 11, 1864. It had stopped to disembark 40 captives taken during raids on U.S. merchant ships and to refuel. Captain Semmes asked permission of “Vice Admiral Adolphe-Augustin Dupouy, head of the naval district headquartered in Cherbourg,” to have the Alabama undergo repairs in the naval doc.  The offer was denied and the request withdrawn. Semmes was now well aware that Captain Winslow and his U.S.S. Kearsarge had come after the Confederate raider and was hovering offshore in wait. While the French attempted diplomatic maneuvers, Captain Semmes informed Samuel Barron, “his senior officer in Paris,” that he intended to fight Winslow. 
“On the morning of Sunday, June 19, Alabama left the Cherbourg roads followed by the French navy flagship, Couronne, and accompanied by a steam yacht flying the Union Jack and a British yach club flag. Alabama fired the first shot. Having elected to fight starboard to starboard, Alabama and Kearsarge then steamed in interlocking circles five to seven times as the current pushed them west. Alabama sank, and Kearsarge returned to anchor on the land side of Cherbourg’s breakwater.” 
This from George Terry Sinclair, a native of Virginia sent to Europe in 1862 to buy ships for the Confederate Navy, in a letter to his immediate superior, Samuel Barron.
“After some exchanges at long range, they passed each other, using their starboard batteries. They then passed & repassed, always using the same battery (which Semmes had told me was his intention) after passing the seventh eighth time, I observed Semmes make sail forward, and stand in, and I thought I saw smoke issuing from the ship.” 
He was told by another observer that “Alabama ‘went down with her colors flying…the Flag… was the last thing to disappear.’ Sinclair’s own view of the climactic moment had been obscured by a house.” 
In the next post, Edouard Manet’s painting, The Battle of the “Kearsarge” and the “Alabama,” 1864.
 Juliet Wilson-Bareau with David C. Degener, Manet and the American Civil War, (New York: The Metropolitan Museum of Art, New Haven: Yale University Press, 2003), 31.
 Ibid., 28-29.
 Ibid., 31.
 Ibid., 28, 31.
 Ibid., 31-32.
 Ibid., 32.