Archive for the ‘Art’ Category
My buddy Peter Hansen, who contributed to my series of posts on Civil War railroads here, will be interviewed on the radio program Up to Date Thursday, December 4th from 11 AM – Noon Central Time about the Nelson-Atkins Museum of Art special exhibit of Art in the Age of Steam: Europe, America and the Railway, 1830-1960. (I’m hoping we can finagle a personal tour with Pete as guide.) Of note in Pete’s bio below, (which I’ll admit I snagged from KCUR’s website in hopes that they’d appreciate the publicity), is a heads up about a story he’s written for Trains on Lincoln and the railroads. It’s well worth the read when it comes out next year.
11:00 am – Noon, Thursday, December 4, 2008
More than any industry, railroads have made Kansas City a regional metropolis. The story of railroading in this area is a richly human one, populated by important and visionary figures like Octave Chanute, Fred Harvey, and Arthur Stilwell.The industry continues to thrive today, thanks largely to its inherent fuel efficiency, making railroads a green option for the 21st century. But how – and where – did the train industry begin in Kansas City? Today Steve Kraske talks with Peter Hansen, editor of Railroad History, the academic journal of the Railway & Locomotive Historical Society. They’ll discuss how railroads impacted Kansas City – how trains permanently changed the land, and the way that people and goods traveled over it. We’ll also talk with Nelson-Atkins Museum of Art executive director Marc WilsonArt in the Age of Steam: Europe, America and the Railway, 1830-1960 about the museum’s special exhibit of . The exhibit, on display through January 18th, features more than 100 paintings, prints, drawings and photographs drawn from 64 museums and private collections.
Art in the Age of Steam is the most wide-ranging exhibition ever assembled of American and European works of art responding to the drama of the railroad, from the earliest days when steam trains churned across the landscape through the romance of the Victorian era to the end of the steam era in the 1960s.
Peter A. Hansen is the editor of Railroad History, the academic journal of the Railway & Locomotive Historical Society, and his work also appears frequently in Trains and Classic Trains magazines. His next Trains cover story will appear in the February 2009 issue. Titled The Rail Splitter and the Railroads, it was done at the behest of the Lincoln Bicentennial Commission in honor of the 16th president’s 200th birthday. Pete was a contributor to the Encyclopedia of North American Railroads, published by the Indiana University Press. He is currently research assistant to Bill Withuhn, the transportation curator at the Smithsonian Institution, on an engineering study of American steam locomotive technology.
Vodpod videos no longer available.
A recently received a gift of a book that I am thrilled to add to my library. It is, Manet and the American Civil War published by The Metropolitan Museum of Art, New York [which I had the opportunity to visit for the first time this year], and Yale University Press. It is co-authored by Juliet Wilson-Bareau, “an independent art historian based in London” and David C. Degener, an independent researcher based in San Francisco.
The book’s primary focus is the battle of the U.S.S. Kearsarge and C.S.S. Alabama. This from the front flap which provides an eloquent introduction to the book which I could not better….
“On June 19, 1864, the United States warship Kearsarge sank the Confederate raider Alabama off the coast of Cherbourg, France, in one of the most celebrated naval engagements of the American Civil War. The battle was widely reported in the illustrated press and riveted public attention on both sides of the Channel. When Kearsarge later anchored off the French resort town of Boulonge-sur-Mer it was thronged by curious visitors, one of whom was the artist Edouard Manet. Although he did not witness the historic battle, Manet made a painting of it partly as an attempt to regain the respect of his colleagues after being ridiculed for his works in the 1864 Salon. Manet’s picture of the naval engagement and his portrait of the victorious Kearsarge belong to a group of his seascapes of Boulonge whose unorthodox perspective and composition would profoundly influence the course of French paintings.”
In part 2, more on Edouard Manet followed in subsequent posts about the two ships and their encounter across the Atlantic.
Note that I have added a shelf to my online library titled “Civil War Art and Artists.” You can access that shelf here. I will shortly cross-reference this book on the Naval History shelf as well.